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14oz - Ecru Selvedge - Silveridge Fit
RGT - 14oz - Ecru Selvedge - Silveridge Fit
What a perfect time of year for a natural denim. The 14oz fabric honestly doesn't feel like it. But, what we know of this fit is that it makes everything that much easier. They were very comfortable from the first try on. This might be due to having more room in the seat and thigh than the SK but more taper than the Stanton. It lands somewhere in the middle. All the details you expect show themselves throughout including that amazing pocket flasher screen print. The icing on this ecru cake is the red selvedge ticker!
- 14oz Ecru Japanese Nihon Menpu selvedge denim
- Back pen pocket
- Signature nickel crossed feather branded buttons
- Copper Rivets
- Signature lasso stitch back pocket
- Hand silk-screened pocket bags
- Single needle continuous stitch on waistband
- Belt loops sewn into waistband
- Hand branded black leather patch
- Hand silk-screened care instructions on interior
- Handmade in downtown Los Angeles, Calif.
28 | 29 | 30 |
31 |
32 |
33 |
34 |
36 | |
Waist: |
14.5 | 15 |
15.75 |
16.5 |
16.75 |
17.25 |
17.75 |
18.5 |
Front Rise: | 10.25 | 10.25 |
10.5 |
10.75 |
10.75 |
11 |
11.25 |
11.25 |
Back Rise: | 14.75 |
14.5 | 15 |
15.25 |
15.5 |
15.75 |
15.75 |
16 |
Upper Thigh: | 10.75 |
11 |
11.25 |
11.5 |
11.75 |
12.25 |
12.5 |
13.25 |
Knee: | 7 | 7.5 |
7.75 |
8 |
8.25 |
8.5 |
8.5 |
9 |
Leg Opening: | 6.75 |
6.75 | 7.25 |
7.5 |
7.5 |
7.75 |
7.75 | 8.25 |
Inseam | 34.5 |
34.5 |
34.5 |
34.5 |
34.5 |
34.5 |
34.5 |
34.5 |
A variance of .5" is to be expected.
Fit Notes: Phil is shown here wearing a size 34, he is 6' 4" 220lbs. We find this run of the Silveridge to be running on the large side. Note the measurements above. Smaller sizes may consider sizing down for a trimmer fit.






























Apparel
The last time we saw this flannel it was dyed with Kakishibu. We didn't think that could be topped, but you know how much we love mud. Amami Dorozome is an age-old process done on the island of Amami-Oshima in Japan. It's a blend of mud and vegetable oil that creates rich earth tones in a washed-out, well-worn pigment only achievable through this process. In a traditional cotton check pattern such as this, it shines its brightest. We didn't get our hands on this personally last time, but we aren't going to let this one slip through our fingers.
The last time we saw this flannel it was dyed with Kakishibu. We didn't think that could be topped, but you know how much we love mud. Amami Dorozome is an age-old process done on the island of Amami-Oshima in Japan. It's a blend of mud and vegetable oil that creates rich earth tones in a washed-out, well-worn pigment only achievable through this process. In a traditional cotton check pattern such as this, it shines its brightest. We didn't get our hands on this personally last time, but we aren't going to let this one slip through our fingers.
These guys keep one-upping the Sashiko game every year. We didn't get a chance to see these in person, but we're so glad we picked them up. They are so much better than we could've even imagined. At first sight, they look like a denim pant lined with a hickory stipe screen print. Then, we got close up and realized it was the vertical sashiko creating that line work. The hand-feel after the one-wash is beyond soft, but they're still packed with so much color you're still going to get those incredible highs and lows in the knees. The great part about sashiko is you get varied high points throughout the garment that catch wear in a different way. The inspiration for sashiko garments derives from the Japanese sashiko which never truly died. They would use pieces of the last garment to create the new, hand stitching throughout. Well, they've taken this concept and created a modern work of art. They've used a combination of No.6 warp and No.5 weft yarns on specially calibrated Jacquards looms. Their hope is to replicate the Sashiko stitchwork of the kimonos, and we'd say they've accomplished that pretty damn well.
These guys keep one-upping the Sashiko game every year. We didn't get a chance to see these in person, but we're so glad we picked them up. They are so much better than we could've even imagined. At first sight, they look like a denim pant lined with a hickory stipe screen print. Then, we got close up and realized it was the vertical sashiko creating that line work. The hand-feel after the one-wash is beyond soft, but they're still packed with so much color you're still going to get those incredible highs and lows in the knees. The great part about sashiko is you get varied high points throughout the garment that catch wear in a different way. The inspiration for sashiko garments derives from the Japanese sashiko which never truly died. They would use pieces of the last garment to create the new, hand stitching throughout. Well, they've taken this concept and created a modern work of art. They've used a combination of No.6 warp and No.5 weft yarns on specially calibrated Jacquards looms. Their hope is to replicate the Sashiko stitchwork of the kimonos, and we'd say they've accomplished that pretty damn well.
The only thing that could've improved this serge western was a new color. This one was originally called Mocha Brown, which we think is very suitable. It's this rich color that suits this now iconic shirt. It used to be that we rarely saw green from Iron Heart, but now green is a staple. So, we've been super stoked to see khakis and browns rearing their pretty heads. You can't go wrong with the western cut, unless you don't size up, as it has some absolutely gorgeous details. We love the yokes and Permex buttons the most on these beauties.
