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D4532 - 14oz "Anami Dorozome" Mud-Dyed Selvedge Type II - Dark Brown O/W
Studio D'Artisan - 14oz "Anami Dorozome" Mud-Dyed Selvedge Type II - Dark Brown O/W
If you didn't know already, you now know that we're fully on board with the Mud-Dyed series from Studio. This special mud and vegetable oil dyeing process create a hand-feel and color variation that simply cannot be mimicked by synthetic, chemical-based dyes. It's truly impeccable that a natural dye creates so much character. I think the wilder part is that we ever went away from natural dyes in the first place. With beauty like this, I think we'll be seeing more and more re-integration into dyes of the past in the future. This classic type ii silhouette is suited to the mud-dye. A traditional dyeing method needs a traditional jacket. Expect a boxier, trucker-like fit to this piece as it's modeled around a conventional type ii. It has all the incredible details we got from the last hand-dyed series including that brilliant leather patch. The black oxidized buttons are another feature we can't stop glaring at. At 14oz, this piece lets you know it's there while the one-wash treatment takes the edge off for the initial break-in period.
- 14oz 100% Cotton "Amami Dorozome" fabric
- Mud dyed yarns from Amami Oshima
- Boxier Cut
- One Wash
- Charcoal Black Hardware
- Interior Custom Woven Label
- Intricate Symbol Leather Patch
- Chainstitch seam construction
- Adjustable Waist Band
- Copper Rivets
- Made in Japan
| Chest | Shoulder | Sleeve | Length | |
| 40 | 21.5 | 17.5 | 24.75 | 23.5 |
| 42 | 22.5 | 18 | 25 | 24.5 |
| 44 | 23 | 19 | 25.5 | 25 |
A variance of +/-.5" is within tolerance.
Fit Notes: Most of our Japanese brands are considered to have a trim fit. That is not the case with this Type II. Tommy is wearing a 42 in the pictures. If you go with your true size you should be fine. It has a little bit of roomier arms and body, but it's built that way. It will easily pull up and mold to your body with time. He could easily wear a size 40 in this piece too. Tommy is 5'10," 165lbs with a 40" chest.
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Apparel
The last time we saw this flannel it was dyed with Kakishibu. We didn't think that could be topped, but you know how much we love mud. Amami Dorozome is an age-old process done on the island of Amami-Oshima in Japan. It's a blend of mud and vegetable oil that creates rich earth tones in a washed-out, well-worn pigment only achievable through this process. In a traditional cotton check pattern such as this, it shines its brightest. We didn't get our hands on this personally last time, but we aren't going to let this one slip through our fingers.
The last time we saw this flannel it was dyed with Kakishibu. We didn't think that could be topped, but you know how much we love mud. Amami Dorozome is an age-old process done on the island of Amami-Oshima in Japan. It's a blend of mud and vegetable oil that creates rich earth tones in a washed-out, well-worn pigment only achievable through this process. In a traditional cotton check pattern such as this, it shines its brightest. We didn't get our hands on this personally last time, but we aren't going to let this one slip through our fingers.
These guys keep one-upping the Sashiko game every year. We didn't get a chance to see these in person, but we're so glad we picked them up. They are so much better than we could've even imagined. At first sight, they look like a denim pant lined with a hickory stipe screen print. Then, we got close up and realized it was the vertical sashiko creating that line work. The hand-feel after the one-wash is beyond soft, but they're still packed with so much color you're still going to get those incredible highs and lows in the knees. The great part about sashiko is you get varied high points throughout the garment that catch wear in a different way. The inspiration for sashiko garments derives from the Japanese sashiko which never truly died. They would use pieces of the last garment to create the new, hand stitching throughout. Well, they've taken this concept and created a modern work of art. They've used a combination of No.6 warp and No.5 weft yarns on specially calibrated Jacquards looms. Their hope is to replicate the Sashiko stitchwork of the kimonos, and we'd say they've accomplished that pretty damn well.
These guys keep one-upping the Sashiko game every year. We didn't get a chance to see these in person, but we're so glad we picked them up. They are so much better than we could've even imagined. At first sight, they look like a denim pant lined with a hickory stipe screen print. Then, we got close up and realized it was the vertical sashiko creating that line work. The hand-feel after the one-wash is beyond soft, but they're still packed with so much color you're still going to get those incredible highs and lows in the knees. The great part about sashiko is you get varied high points throughout the garment that catch wear in a different way. The inspiration for sashiko garments derives from the Japanese sashiko which never truly died. They would use pieces of the last garment to create the new, hand stitching throughout. Well, they've taken this concept and created a modern work of art. They've used a combination of No.6 warp and No.5 weft yarns on specially calibrated Jacquards looms. Their hope is to replicate the Sashiko stitchwork of the kimonos, and we'd say they've accomplished that pretty damn well.
The only thing that could've improved this serge western was a new color. This one was originally called Mocha Brown, which we think is very suitable. It's this rich color that suits this now iconic shirt. It used to be that we rarely saw green from Iron Heart, but now green is a staple. So, we've been super stoked to see khakis and browns rearing their pretty heads. You can't go wrong with the western cut, unless you don't size up, as it has some absolutely gorgeous details. We love the yokes and Permex buttons the most on these beauties.
