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D4549 - Sashiko Denim Type II Jacket - Indigo O/W
Studio D'Artisan - Sashiko Denim Type II Jacket - Indigo O/W
These guys keep one-upping the Sashiko game every year. We didn't get a chance to see these in person, but we're so glad we picked them up. They are so much better than we could've even imagined. At first sight, they look like a denim jacket lined with a hickory screen print. Then, we got close up and realized it was the vertical sashiko creating that line work. The hand-feel after the one-wash is beyond soft, but they're still packed with so much indigo you're still going to get those incredible highs and lows in the elbows. The great part about sashiko is you get varied high points throughout the jacket that catch wear in a different way. The inspiration for sashiko garments derives from the Japanese sashiko which never truly died. They would use pieces of the last garment to create the new, hand stitching throughout. Well, they've taken this concept and created a modern work of art. They've used a combination of No.6 warp and No.5 weft yarns on specially calibrated Jacquards looms. Their hope is to replicate the Sashiko stitchwork of the kimonos, and we'd say they've accomplished that pretty damn well.
- Proprietary 15.5oz. Jacquard weave Denim
-
Type II silhouette
- One Wash
- Custom Studio D'Artisan buttons
- Engraved copper male/female rivets
- "Noragi Boro" leather patch
- Adjustable waist buttons
- Made in Japan
| LENGTH | SHOULDER | CHEST | SLEEVE LENGTH | |
|---|---|---|---|---|
| 36 | 22.83 | 17.52 | 21.06 | 23.62 |
| 38 | 23.62 | 18.31 | 21.85 | 24.02 |
| 40 | 24.41 | 19.09 | 22.64 | 24.8 |
| 42 | 25.2 | 19.88 | 23.82 | 25.2 |
| 44 | 25.98 | 20.67 | 25 | 25.59 |
| 46 | 26.38 | 21.46 | 26.18 | 25.98 |
A variance of +/-.5" is within tolerance.
Fit Notes: This jacket could be considered trim, but we actually find them to have plenty of room. Tommy is wearing a 40 in the pictures. The only thing you might want to be cautious of when buying your true size is the length. Tommy is 5'10," 165lbs with a 40" chest, and typically wears a North American Medium.
Apparel
The last time we saw this flannel it was dyed with Kakishibu. We didn't think that could be topped, but you know how much we love mud. Amami Dorozome is an age-old process done on the island of Amami-Oshima in Japan. It's a blend of mud and vegetable oil that creates rich earth tones in a washed-out, well-worn pigment only achievable through this process. In a traditional cotton check pattern such as this, it shines its brightest. We didn't get our hands on this personally last time, but we aren't going to let this one slip through our fingers.
The last time we saw this flannel it was dyed with Kakishibu. We didn't think that could be topped, but you know how much we love mud. Amami Dorozome is an age-old process done on the island of Amami-Oshima in Japan. It's a blend of mud and vegetable oil that creates rich earth tones in a washed-out, well-worn pigment only achievable through this process. In a traditional cotton check pattern such as this, it shines its brightest. We didn't get our hands on this personally last time, but we aren't going to let this one slip through our fingers.
These guys keep one-upping the Sashiko game every year. We didn't get a chance to see these in person, but we're so glad we picked them up. They are so much better than we could've even imagined. At first sight, they look like a denim pant lined with a hickory stipe screen print. Then, we got close up and realized it was the vertical sashiko creating that line work. The hand-feel after the one-wash is beyond soft, but they're still packed with so much color you're still going to get those incredible highs and lows in the knees. The great part about sashiko is you get varied high points throughout the garment that catch wear in a different way. The inspiration for sashiko garments derives from the Japanese sashiko which never truly died. They would use pieces of the last garment to create the new, hand stitching throughout. Well, they've taken this concept and created a modern work of art. They've used a combination of No.6 warp and No.5 weft yarns on specially calibrated Jacquards looms. Their hope is to replicate the Sashiko stitchwork of the kimonos, and we'd say they've accomplished that pretty damn well.
These guys keep one-upping the Sashiko game every year. We didn't get a chance to see these in person, but we're so glad we picked them up. They are so much better than we could've even imagined. At first sight, they look like a denim pant lined with a hickory stipe screen print. Then, we got close up and realized it was the vertical sashiko creating that line work. The hand-feel after the one-wash is beyond soft, but they're still packed with so much color you're still going to get those incredible highs and lows in the knees. The great part about sashiko is you get varied high points throughout the garment that catch wear in a different way. The inspiration for sashiko garments derives from the Japanese sashiko which never truly died. They would use pieces of the last garment to create the new, hand stitching throughout. Well, they've taken this concept and created a modern work of art. They've used a combination of No.6 warp and No.5 weft yarns on specially calibrated Jacquards looms. Their hope is to replicate the Sashiko stitchwork of the kimonos, and we'd say they've accomplished that pretty damn well.
The only thing that could've improved this serge western was a new color. This one was originally called Mocha Brown, which we think is very suitable. It's this rich color that suits this now iconic shirt. It used to be that we rarely saw green from Iron Heart, but now green is a staple. So, we've been super stoked to see khakis and browns rearing their pretty heads. You can't go wrong with the western cut, unless you don't size up, as it has some absolutely gorgeous details. We love the yokes and Permex buttons the most on these beauties.
