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Seasonal Crissman Overshirt - Oatmeal
Dehen - Crissman Overshirt - Oatmeal
Releasing Saturday, October 30th at 2pm EST
The Crissman will forever be a staple for us. The extra buttons and marine styling had us at hello. When they use special fabrics like this, it puts us over the edge. This Oatmeal is a dream color for this silhouette. It's nice soft wool this round with lots of little texture and color throughout. This piece is called a shirt, but for most will read more like a jacket. The handwarmer pockets ensure that. All the other details below ensure that this is one of the best-made garments on the planet.
- Oatmeal Melton Wool
- Reinforced elbow construction
- Two chest pockets
- Lower double welt hand pockets
- Snap closure at neck
- Keyhole buttonholes throughout
- 100% cotton lined interior accents
- Single inside pocket
- Custom Woven Tag
- Made in Portland, Oregon
SIZE | CHEST | WAIST | SLEEVE |
XS | 32 - 34" |
26 - 28"
|
31 - 32"
|
S |
35 - 37"
|
29 - 31"
|
32 - 33"
|
M |
38 - 40"
|
32 - 34"
|
33 - 34"
|
L |
41 - 43"
|
35 - 37"
|
34 - 35"
|
XL |
44 - 46"
|
38 - 40"
|
35 - 36"
|
XXL |
47 - 49"
|
41 - 43"
|
36 - 37"
|
A variance of +/-.5" is within tolerance.
Fit Notes: Shop owner Tommy is wearing a size small in the pictures. Depending on the piece, he'll jump between a small and medium. With this, we recommend most people stick to their true size in order to wear it like a coat. If you don't like wool close to the skin, the same holds true. You'll want a layer underneath, and the oversized nature of this jacket will allow for that in your true size. Tommy is 5'10," 168lbs with a 40" chest.
























Apparel
The last time we saw this flannel it was dyed with Kakishibu. We didn't think that could be topped, but you know how much we love mud. Amami Dorozome is an age-old process done on the island of Amami-Oshima in Japan. It's a blend of mud and vegetable oil that creates rich earth tones in a washed-out, well-worn pigment only achievable through this process. In a traditional cotton check pattern such as this, it shines its brightest. We didn't get our hands on this personally last time, but we aren't going to let this one slip through our fingers.
The last time we saw this flannel it was dyed with Kakishibu. We didn't think that could be topped, but you know how much we love mud. Amami Dorozome is an age-old process done on the island of Amami-Oshima in Japan. It's a blend of mud and vegetable oil that creates rich earth tones in a washed-out, well-worn pigment only achievable through this process. In a traditional cotton check pattern such as this, it shines its brightest. We didn't get our hands on this personally last time, but we aren't going to let this one slip through our fingers.
These guys keep one-upping the Sashiko game every year. We didn't get a chance to see these in person, but we're so glad we picked them up. They are so much better than we could've even imagined. At first sight, they look like a denim pant lined with a hickory stipe screen print. Then, we got close up and realized it was the vertical sashiko creating that line work. The hand-feel after the one-wash is beyond soft, but they're still packed with so much color you're still going to get those incredible highs and lows in the knees. The great part about sashiko is you get varied high points throughout the garment that catch wear in a different way. The inspiration for sashiko garments derives from the Japanese sashiko which never truly died. They would use pieces of the last garment to create the new, hand stitching throughout. Well, they've taken this concept and created a modern work of art. They've used a combination of No.6 warp and No.5 weft yarns on specially calibrated Jacquards looms. Their hope is to replicate the Sashiko stitchwork of the kimonos, and we'd say they've accomplished that pretty damn well.
These guys keep one-upping the Sashiko game every year. We didn't get a chance to see these in person, but we're so glad we picked them up. They are so much better than we could've even imagined. At first sight, they look like a denim pant lined with a hickory stipe screen print. Then, we got close up and realized it was the vertical sashiko creating that line work. The hand-feel after the one-wash is beyond soft, but they're still packed with so much color you're still going to get those incredible highs and lows in the knees. The great part about sashiko is you get varied high points throughout the garment that catch wear in a different way. The inspiration for sashiko garments derives from the Japanese sashiko which never truly died. They would use pieces of the last garment to create the new, hand stitching throughout. Well, they've taken this concept and created a modern work of art. They've used a combination of No.6 warp and No.5 weft yarns on specially calibrated Jacquards looms. Their hope is to replicate the Sashiko stitchwork of the kimonos, and we'd say they've accomplished that pretty damn well.
The only thing that could've improved this serge western was a new color. This one was originally called Mocha Brown, which we think is very suitable. It's this rich color that suits this now iconic shirt. It used to be that we rarely saw green from Iron Heart, but now green is a staple. So, we've been super stoked to see khakis and browns rearing their pretty heads. You can't go wrong with the western cut, unless you don't size up, as it has some absolutely gorgeous details. We love the yokes and Permex buttons the most on these beauties.
