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Shawl Sweater Coat 2.0 - Charcoal
Dehen 1920 - Shawl Sweater Coat 2.0 - Charcoal
We haven't been able to get these Shawl Sweaters back in stock since they absolutely disappeared last year. This beauty has been on our list for some time. The charcoal is full of heathered texture and looks quite wonderful with the waxed elbow patches. Their four-end heavyweight construction is unmatched. For the 2.0 they use patch pockets, exterior elbow patches, fold-back cuffs, and custom corozo buttons to create this look. These things use more than 3 pounds of 100% wool yarn. Don't expect to be able to beat this piece up. It will be around longer than you!
- 1920's style six button shawl sweater coat
- 100% worsted wool
- Extra heavy four-end jersey knit fabric
- Custom corozo buttons
- Front patch pockets
- 100% cotton waxed canvas elbow patches
- 2x2 knit foldback cuffs
- Made in Portland, USA
|
SIZE |
CHEST |
WAIST |
SLEEVE |
|
XS |
32 - 34" |
26 - 28" |
31 - 32" |
|
S |
35 - 37" |
29 - 31" |
32 - 33" |
|
M |
38 - 40" |
32 - 34" |
33 - 34" |
|
L |
41 - 43" |
35 - 37" |
34 - 35" |
|
XL |
44 - 46" |
38 - 40" |
35 - 36" |
|
XXL |
47 - 49" |
41 - 43" |
36 - 37" |
A variance of +/-.5" is within tolerance.
Fit Notes: Shop owner Tommy is wearing a size medium in the pictures. Typically Dehen fits with a little more room than the average piece, but for good reason. The wool is heavy and you'll want a bit of extra space to breathe. However, it is quite heavy and can quite honestly function as a coat. The medium works for the pictures because he's wearing it over a heavy-duty Crissman, but if you want something to wear over lighter shirts...you probably need to size down. He would consider a small in this piece for that reason. Scope the measurements for the best buying practices. Tommy is 5'10," 170lbs, with a 40" chest.
Apparel
The last time we saw this flannel it was dyed with Kakishibu. We didn't think that could be topped, but you know how much we love mud. Amami Dorozome is an age-old process done on the island of Amami-Oshima in Japan. It's a blend of mud and vegetable oil that creates rich earth tones in a washed-out, well-worn pigment only achievable through this process. In a traditional cotton check pattern such as this, it shines its brightest. We didn't get our hands on this personally last time, but we aren't going to let this one slip through our fingers.
The last time we saw this flannel it was dyed with Kakishibu. We didn't think that could be topped, but you know how much we love mud. Amami Dorozome is an age-old process done on the island of Amami-Oshima in Japan. It's a blend of mud and vegetable oil that creates rich earth tones in a washed-out, well-worn pigment only achievable through this process. In a traditional cotton check pattern such as this, it shines its brightest. We didn't get our hands on this personally last time, but we aren't going to let this one slip through our fingers.
These guys keep one-upping the Sashiko game every year. We didn't get a chance to see these in person, but we're so glad we picked them up. They are so much better than we could've even imagined. At first sight, they look like a denim pant lined with a hickory stipe screen print. Then, we got close up and realized it was the vertical sashiko creating that line work. The hand-feel after the one-wash is beyond soft, but they're still packed with so much color you're still going to get those incredible highs and lows in the knees. The great part about sashiko is you get varied high points throughout the garment that catch wear in a different way. The inspiration for sashiko garments derives from the Japanese sashiko which never truly died. They would use pieces of the last garment to create the new, hand stitching throughout. Well, they've taken this concept and created a modern work of art. They've used a combination of No.6 warp and No.5 weft yarns on specially calibrated Jacquards looms. Their hope is to replicate the Sashiko stitchwork of the kimonos, and we'd say they've accomplished that pretty damn well.
These guys keep one-upping the Sashiko game every year. We didn't get a chance to see these in person, but we're so glad we picked them up. They are so much better than we could've even imagined. At first sight, they look like a denim pant lined with a hickory stipe screen print. Then, we got close up and realized it was the vertical sashiko creating that line work. The hand-feel after the one-wash is beyond soft, but they're still packed with so much color you're still going to get those incredible highs and lows in the knees. The great part about sashiko is you get varied high points throughout the garment that catch wear in a different way. The inspiration for sashiko garments derives from the Japanese sashiko which never truly died. They would use pieces of the last garment to create the new, hand stitching throughout. Well, they've taken this concept and created a modern work of art. They've used a combination of No.6 warp and No.5 weft yarns on specially calibrated Jacquards looms. Their hope is to replicate the Sashiko stitchwork of the kimonos, and we'd say they've accomplished that pretty damn well.
The only thing that could've improved this serge western was a new color. This one was originally called Mocha Brown, which we think is very suitable. It's this rich color that suits this now iconic shirt. It used to be that we rarely saw green from Iron Heart, but now green is a staple. So, we've been super stoked to see khakis and browns rearing their pretty heads. You can't go wrong with the western cut, unless you don't size up, as it has some absolutely gorgeous details. We love the yokes and Permex buttons the most on these beauties.
