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Lot 2170 - Coach Jacket Morris Hills - Red
Warehouse & Co. - Lot 2170 - Coach Jacket Morris Hills - Red
This one hits us right in the nostalgia feels. We couldn't get over this beautiful red color and how it pairs with all of the cream patchwork throughout. We normally skip the patches because they just don't resonate as well with us as the basics...but this was the exception to the rule. These accents are perfect. That's all there is to it. And the Murph name tag has us falling in love even more. Coaches jackets are an American icon with their Nylon shells, drawstring waists, and elastic arms. The best thing is to see it executed to perfection in only a way Japan can do. The inner cotton lining is soft, but not brushed so it's great for layering. This is a piece you throw a heavy hoody under and turn into a 4 season piece. Slide your hands into those handwarmer pockets, snap those coated metal buttons, and sinch up your drawstring. You'll be instantly transported back to your childhood.
- 100% Nylon Shell
- Grey Cotton Lining
- Chenille Patch on Back
- Embroidered Patch on the Front
- Felt Patches throughout
- Red Coated Metal Snaps
- Drawstring Waist
- Elastic Cuffs
- Custom Woven Label
- Made in Japan
| S | M | L | XL | |
| Chest (pit to pit) | 21.5 | 23.22 | 24.01 | 24.8 |
| Shoulder (back seams) | 18.5 | 19.29 | 20.07 | 20.86 |
| Length | 26.5 | 27.44 | 28.34 | 29.13 |
| Arm (shoulder to seam) | 22.76 | 23.62 | 24.4 |
25.19 |
A variance of +/-.5 is within tolerance.
Fit Notes: Ryan is wearing a medium in these pictures. There's plenty of room in these jackets, as there should be. The coaches jacket is meant to be worn with layers and you can see there's ample room in the medium on Ryan. Shop owner Tommy also wears a medium in these for a perfect fit. He is 5'10", 165lbs with a 40" chest and typically wears a Large in most Japanese brands.
Apparel
The last time we saw this flannel it was dyed with Kakishibu. We didn't think that could be topped, but you know how much we love mud. Amami Dorozome is an age-old process done on the island of Amami-Oshima in Japan. It's a blend of mud and vegetable oil that creates rich earth tones in a washed-out, well-worn pigment only achievable through this process. In a traditional cotton check pattern such as this, it shines its brightest. We didn't get our hands on this personally last time, but we aren't going to let this one slip through our fingers.
The last time we saw this flannel it was dyed with Kakishibu. We didn't think that could be topped, but you know how much we love mud. Amami Dorozome is an age-old process done on the island of Amami-Oshima in Japan. It's a blend of mud and vegetable oil that creates rich earth tones in a washed-out, well-worn pigment only achievable through this process. In a traditional cotton check pattern such as this, it shines its brightest. We didn't get our hands on this personally last time, but we aren't going to let this one slip through our fingers.
These guys keep one-upping the Sashiko game every year. We didn't get a chance to see these in person, but we're so glad we picked them up. They are so much better than we could've even imagined. At first sight, they look like a denim pant lined with a hickory stipe screen print. Then, we got close up and realized it was the vertical sashiko creating that line work. The hand-feel after the one-wash is beyond soft, but they're still packed with so much color you're still going to get those incredible highs and lows in the knees. The great part about sashiko is you get varied high points throughout the garment that catch wear in a different way. The inspiration for sashiko garments derives from the Japanese sashiko which never truly died. They would use pieces of the last garment to create the new, hand stitching throughout. Well, they've taken this concept and created a modern work of art. They've used a combination of No.6 warp and No.5 weft yarns on specially calibrated Jacquards looms. Their hope is to replicate the Sashiko stitchwork of the kimonos, and we'd say they've accomplished that pretty damn well.
These guys keep one-upping the Sashiko game every year. We didn't get a chance to see these in person, but we're so glad we picked them up. They are so much better than we could've even imagined. At first sight, they look like a denim pant lined with a hickory stipe screen print. Then, we got close up and realized it was the vertical sashiko creating that line work. The hand-feel after the one-wash is beyond soft, but they're still packed with so much color you're still going to get those incredible highs and lows in the knees. The great part about sashiko is you get varied high points throughout the garment that catch wear in a different way. The inspiration for sashiko garments derives from the Japanese sashiko which never truly died. They would use pieces of the last garment to create the new, hand stitching throughout. Well, they've taken this concept and created a modern work of art. They've used a combination of No.6 warp and No.5 weft yarns on specially calibrated Jacquards looms. Their hope is to replicate the Sashiko stitchwork of the kimonos, and we'd say they've accomplished that pretty damn well.
The only thing that could've improved this serge western was a new color. This one was originally called Mocha Brown, which we think is very suitable. It's this rich color that suits this now iconic shirt. It used to be that we rarely saw green from Iron Heart, but now green is a staple. So, we've been super stoked to see khakis and browns rearing their pretty heads. You can't go wrong with the western cut, unless you don't size up, as it has some absolutely gorgeous details. We love the yokes and Permex buttons the most on these beauties.
